![]() ![]() Things changed along the way, and Lorne was skilled enough to be able to keep up with Tom Cruise and Chris McQuarrie.”īalfe essentially deconstructed Schifrin’s original theme and utilized it, a bit at a time, throughout the film. “While there were many days of recording, much of it was because Lorne started early and we recorded through the entire post period. ![]() Paramount president of motion picture music Randy Spendlove notes “it quite possibly could be” the largest gathering of musicians ever for a Paramount movie. So we did 12 bongos at all different pitches.” The concept started with one bongo, and then we thought we’d see how many we could add until it stopped being an interesting color. “As well as a great theme, you’ve got a very unique time signature with a well-known pattern. “Eleven of them usually don’t get gigs,” quips Balfe, who added the percussion as another reference to the sound of Schifrin’s original TV scores – except multiplied. ![]() Add to that 100 string players, an 80-voice choir, 14 drummers and a smattering of woodwinds. Balfe (“Terminator Genisys,” “The Lego Batman Movie”) felt that the score needed to be “as epic as the movie.” The brass section alone was an unheard-of combination of 42 players. ![]()
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